Community and Neighbourhoods

Documenting tomorrow's history

October 28, 2006

The politics of space

“We shape our buildings and afterwards they shape us”

Winston Churchill addressing the Commons in the chamber of the House of Lords on October 28, 1943.

I have always been interested in how we affect our physical surroundings – not just the appearance but the processes at work. Some of that explains I suppose my fascination with the work of Christopher Alexander.

The world in the 21st century is overwhelmingly urban and it behoves us to make that world one in which our children and grandchildren will want to live. On 17th October I went to a conference at the Prince’s Foundation for the Built Environment. The topic was “The Politics of Place” – more particularly why even when there is agreement about the sorts of places we like to see, we are apparently still incapable of building them. Of course the answer to this one will depend on where you start. The ‘right libertarian’ will argue it is all because we have too much interference in private property rights by the planning system. Get rid of that and all will be well.

One of the speakers on the day, Benjamin Barber, had some interesting things to say on that theme, in the context of an analysis of the spatial implications of democracy – and vice versa. His analysis is much more than a nuanced version of the simplistic cause and effect link espoused by the likes of Alice Coleman and Oscar Newman. He sees public space as an indispensable requirement of democracy, going back to the agora of the Greeks. According to Barber, the corruption of public space can be linked to the deterioration of democratic process and to the growing restrictions we can see on free speech itself.

He identifies five forces/trends at work – suburbanisation, commercialisation, privatisation, bureaucratisation and simulation. Of course references to commercialisation and privatisation will give those who believe the answer always lies in private property rights apoplexy, but bear with me.

Barber’s arguments about suburbanisation are I think the weakest – at least in a UK context. The US suburb is more likely to be totally dominated by private car use, many will have no footway/sidewalk and very few will have any amenities. Any sense of neighbourhood in the historic sense is lost and since all journeys are by car, the chances of random encounters are much reduced. The idea that people fled the city at least in part because of its isolation is belied by the fact that in most of the suburban US, the same isolation now exists but without the city amenities.

These characteristics do exist in UK suburbs, but not to the same extent and probably developed over a more limited time period. Places like Swindon, which grew rapidly on the back of appeal decisions that allowed massive housing without associated amenities are not typical of British suburban housing. In London for example most prewar suburbs were built around the railway and the tube system – Betjeman’s beloved Metroland. Even so there are still large areas of housing in the UK, often built by the public sector rather than the private, where the same lack of economic and cultural diversity prevails.

Barber also cites what he calls commercialisation. To an extent this seems to fall from the US system of zoning which very precisely delineates the nature of the uses allowed in a given area, but without attempting as the UK system does to allocate numbers or control growth levels. As a consequence, US cities and metropolitan areas a surrounded by vast tracts of housing zoned purely for a single house type on given plot sizes, usually much bigger than would prevail in the UK. The zoning system segregates uses much more comprehensively than the UK system does with the outcome a dispersal of uses across geographically large areas. Where people do come together it is largely in malls which are private and where the owners often seek to limit access by those commercially undesirable. Teenagers and the elderly have been excluded or moved on by mall owners since they simply don’t spend money and take up valuable space that could be given over to consumers.

Where cafes exist, they are in vast food courts, with false variety and set up for rapid turnover. Lingering over a cup of coffee while chatting up the local girls/boys is positively discouraged in such places. Commercialisation of the public space on this scale destroys the opportunity for public life. The paseo or promenade, the Sunday stroll, isn’t allowed to happen in a private mall since it serves no commercial purpose. Indeed many of the activities in Christopher Alexander’s ‘A Pattern Language‘ that he places at the centre of living in neighbourhoods, would be impossible or likely to be prohibited. In some malls even sitting is prohibited except in approved spaces.

This leads to Barber’s third trend, that of privatisation. The growth in gated communities in the US is spreading to the UK[i]. Where access is not directly closed, housing is often designed to exclude not include the casual visitor. Gated communities make real our secession from the public space that begins with the use of mobile phones/iPods/Blackberries. These tools, valuable in themselves, encourage us to treat public spaces as if they were private, impoverishing public life in the process. There is the story, probably apocryphal but describing an essential truth, of a group of teenagers chattering happily as they sit on a wall in the street. It is only when drawing closer that we can see they are all talking not to each other but on their mobiles. Commercialisation and privatisation also privatise us – we begin to see ourselves not as citizens, as inhabitants of a polis, but as consumers.

The process of bureaucratisation is I suppose self explanatory – professional judgment begins to cut into democratic life. Health and Safety concerns are for example entirely professionalised. As a consequence the citizen again becomes a consumer – this time of professional services - not someone exercising judgement on their own behalf and in their own right.

Finally Barber described a process he called simulation largely arising from frustrated attempts to counter the other trends, but leading for example in the urban environment to the faux variety seen at places like the Disney Corporation’s Celebration and in much new housing development, where perceived variety is no more than wallpaper.

According to Barber the outcome is that the idea of a democratic public realm vanishes; the very idea of being a citizen vanishes; replaced by consumers and consumerism. These forces may operate in the name of liberty but in the end are destroying it by destroying the important distinction between public and private liberty.

Commercialism, supported it must be said by tax breaks and concessions from government, may give us an almost unlimited choice of car for example but cannot give us the same choice - often any choice - of public transport. Our choices when we have them are often themselves destructive – ‘Sophie’s Choice’. We don’t have a chance to set agendas; they are handed down by the political or the corporate state. Nor do we have the chance to open up lateral communication. While talking to each other is after all the stuff of civic life, the limits placed on speech and communication by these trends make this increasingly difficult. The exercise of free speech and the opportunities for dissent are closed down. Free speech is only possible in public spaces and when space is privatised free speech is thereby diminished and damaged. In the US judges have already decided that the local neighbourhood mall is not a public space and allowed mall owners to prohibit distribution of literature, protest or other forms of behaviour they decide they do not want to allow. As Barber put it “there is no Speakers’ Corner in the Malls of America”.

This link between the growth in private spaces and the declining opportunities for dissent that creates is not often so explicitly stated. It seems obvious of course but so long as opponents of state power limit their opposition to a simplistic call for more private ownership – don’t reclaim the streets, sell them – it seems unlikely to be properly recognised. In any event even the public spaces are being closed down. State ‘ownership’ of the street is being used as a device to prevent and suppress public dissent – and not just about the war in Iraq. Under section 132 of the Serious Organised Crime and Police Act 2005 it is an offence to organise or take part in a demonstration in a public place within the “designated area” (up to 1 km around Parliament) if authorisation has not been given by the Metropolitan Police Commissioner. When so-called public ownership still leads to the suppression of dissent, it become that much more difficult to argue against the alternatives. Even so we must find ways to do so.

(As far as I can tell much of Barber’s argument was drawn from his new book ‘Consumed’.)


[i] It would appear that gated communities are not self-evidently attractive places to live. Existing research showed that motivations for living in a gated community are primarily driven by the need for security and a more generalised fear of crime. Importantly there was no apparent desire to come into contact with the ‘community’ within the gated or walled area. With regard to the specific impacts on crime only two studies could be identified. However, these indicate that sense of community is lower in gated ‘communities’ but perceived sense of safety is higher. While property crime went down violent crime was not affected. In some gated communities there was a greater fear of crime and outsiders more generally. – from Gated Communities: A Systematic Review of the Research Evidence

April 13, 2006

Liberty

Apropos the previous post:

In time, however, a democratic republic came to occupy a large portion of the earth's surface, and made itself felt as one of the most powerful members of the community of nations; and elective and responsible government became subject to the observations and criticisms which wait upon a great existing fact. It was now perceived that such phrases as "self-government," and "the power of the people over themselves," do not express the true state of the case. The "people" who exercise the power are not always the same people with those over whom it is exercised; and the "self-government" spoken of is not the government of each by himself, but of each by all the rest. The will of the people, moreover, practically means the will of the most numerous or the most active part of the people; the majority, or those who succeed in making themselves accepted as the majority; the people, consequently, may desire to oppress a part of their number; and precautions are as much needed against this as against any other abuse of power. The limitation, therefore, of the power of government over individuals loses none of its importance when the holders of power are regularly accountable to the community, that is, to the strongest party therein. This view of things, recommending itself equally to the intelligence of thinkers and to the inclination of those important classes in European society to whose real or supposed interests democracy is adverse, has had no difficulty in establishing itself; and in political speculations "the tyranny of the majority" is now generally included among the evils against which society requires to be on its guard.
  Like other tyrannies, the tyranny of the majority was at first, and is still vulgarly, held in dread, chiefly as operating through the acts of the public authorities. But reflecting persons perceived that when society is itself the tyrant—society collectively, over the separate individuals who compose it—its means of tyrannizing are not restricted to the acts which it may do by the hands of its political functionaries. Society can and does execute its own mandates: and if it issues wrong mandates instead of right, or any mandates at all in things with which it ought not to meddle, it practises a social tyranny more formidable than many kinds of political oppression, since, though not usually upheld by such extreme penalties, it leaves fewer means of escape, penetrating much more deeply into the details of life, and enslaving the soul itself. Protection, therefore, against the tyranny of the magistrate is not enough: there needs protection also against the tyranny of the prevailing opinion and feeling; against the tendency of society to impose, by other means than civil penalties, its own ideas and practices as rules of conduct on those who dissent from them; to fetter the development, and, if possible, prevent the formation, of any individuality not in harmony with its ways, and compel all characters to fashion themselves upon the model of its own. There is a limit to the legitimate interference of collective opinion with individual independence: and to find that limit, and maintain it against encroachment, is as indispensable to a good condition of human affairs, as protection against political despotism.

September 08, 2005

BBC, bfi, C4 and OU open archive to 'remixers'

BBC opens TV archive to remixers.

The BBC has released the first TV clips from its archive onto the internet for people to "rip, mix and share".

Almost 100 clips, from shows such as Walking With Beasts and Tomorrow's World, are for the UK public to use for free in their own creative works.

The BBC hopes to foster innovation by letting anyone re-use its material for personal and educational purposes under the Creative Archive Licence.

The Creative Archive Licence is modelled on Creative Commons with some amendments to suit the needs of the Creative Archive Group set out in the FAQ extract below:

The Creative Archive Licence is heavily inspired by the Creative
Commons Licences. However, public service organisations within the UK
have additional requirements that need to be reflected in the terms
under which they licence content. The two most obvious of these are the
UK-only requirement and the No Endorsement requirement. In addition,
the Creative Archive Licence seeks to protect the Licensor's moral
right of integrity, that is, the right not to have a work treated in a
derogatory or objectionable way.

 

BBC bfi C4 OU

May 21, 2005

Creative Commons

Creative Commons licensing is a wonderful idea, allowing an artist to set the terms on which their work can be used. The image below is one of mine from Flickr but based on another photograph, (licensed under these terms) so allowing me to create derivative works and in this case even to make commercial use.


Mysterious beauty, originally uploaded by ibanda.

Having access in this way is really stimulating, letting me work with a host of images I would never have taken myself and allowing me both to practice digiatal manipulation and in some cases to produce works that stand on their own.

This one for example is I think different enough from its source to have a standing of its own. I'm looking at how I might post some of my own images under a Creative Commons license. It seems reasonable that if I make use of these I should also offer some up.

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